Into the Wild by Christopher McCandless - 637 Words

Chapter ten flashes forward to McCandless death, and it was published in the New York Time and Anchorage Daily News. The media wrote of how foolish and ignorant McCandless was for going into the wilderness so unprepared. Once the death is being investigated by the police the police begin to question Sam, McCandless’s half-brother. To identify him he shows them a picture with long hair and a beard. This made me question who was the man in the picture, was it really McCandless? He wasn’t reported as having long hair, ever. As the half-brother informs his parents of McCandless death the parents respond in devastation. I find it weird that the police contacted his half-brother first and not the parents. Oddly enough I find myself agreeing with the media more than I do with the author. I cannot seem to grasp the thought of going into the wilderness, and not being overly prepared. While I understand that it is a brave action, it is also foolish and somewhat stupid on his part . I also find him to be very selfish. In chapter eleven the author starts to interview McCandless parents, and starts to question the family’s dynamics. The father is very similar to McCandless in the aspect that he is very intense and highly intelligent. Chapter twelve is a continued exploration of McCandless’s character. The author wants to know what made McCandless, McCandless. He finds that he took a road trip to the desert the summer before his freshman year of college, and nearly died of dehydration. IShow MoreRelatedInto The Wild By Christopher Mccandless1769 Words   |  8 PagesINTO THE WILD The film Into The Wild tells a story of a young man, named Christopher McCandless, trying to break away from the path society and his parents have paved for him. Throughout the many months he spends on the road he meets many people who have a deep impact on him, even though he probably would not admit to that until the end. As a final test of the change in his mentality and confirmation of his independency from civilization and all the negative aspects it represents, Christopher makesRead MoreChristopher Mccandless s Into The Wild778 Words   |  4 Pagesin the slightest ways, are alienated or distanced from the conforming majority. Christopher McCandless, the main character of Into The Wild by Jon Krakauer, is among the group labeled as â€Å"different†. McCandless may seem irregular, he is far from it. Christopher McCandless, through his passion for learning, search for a life of fulfilment, and his eagerness for success, is an unrecognized normal person. Chris McCandless undeniably different in noticeable ways. His one of his brief co-workers evenRead MoreAnalysis Of Christopher Mccandless s Into The Wild 2362 Words   |  10 PagesAllen Primack Mr. Devinney American Lit 1st Hour Outside Novel Essay Option #2:: 5/4/2016 Christopher McCandless ­ an adventurous, curious, unsettled, isolated, and unheard of young man, who is very deserving of reader’s sympathy Imagine being separated from society and the outside world, left along soul searching in the wilderness, with limited resources and constantly living upon uncharted territories. A similar experience actually occurred in real life , and hence a fantastic novel was born byRead MoreInto the Wild: Christopher McCandless Escape From the Confines of Society1134 Words   |  5 Pagestale of a young man who leaves all that he has and goes to live amidst the natural world, Into the Wild by Jon Krakauer showcases the two years Christopher McCandless had spent journeying throughout the United States before his unfortunate death. After graduating from Emory University in 1990, McCandless disconnected with all of his past relations and abandoned the majority of his possessions. McCandless’ decisions either seem extremely unwise or extremely courageous. He had a comfortable life withRead MoreAnalysis Of Into The Wild By John Krakauer1015 Words   |  5 Pagesbreath of the wild for the brave few is enough to free the spirit from the bonds of society. One such freed spirit, author John Krakauer, wrote in his work Into the Wild about the accounts of men quite like himself. Jo hn Krakauer, in contrast to the adventurous men he writes about, is a survivor of his own ventures. Throughout his writing, he parallels the nature of a select few zealous adventurers with his own nature as well as the nature of his primary focus, Christopher McCandless. Krakauer drawsRead MoreInto The Wild Argument Essay1034 Words   |  5 PagesInto the Wild argument essay Into the Wild written by Jon Krakauer illustrates the life and death of Christopher McCandless, and his search for the true meaning in life. McCandless’ family was well-off and he graduated from Emory University with honors. Everything in McCandless’ life came easy, and because of this he wished to find what it meant to work for something. Through his perilous journey across the United States, McCandless found a way to inspire others everywhere he went. His independentRead MoreFinding Magic Within The Wild1394 Words   |  6 PagesFinding Magic Within the Wild To McCandless and many others that share the same love for nature, it plays a very important role in several choices made by him throughout the film. In retrospect, the same can be applied to SpongeBob SquarePants on an easier to understand level. Now, SpongeBob doesn’t leave his wealth and his family to live on his own, but he does have magic in the wild, just like the magic bus Chris McCandless used as shelter throughout the weeks. This was called the magic conchRead MoreChristopher McCandless: Rebellious, Suicidal Narcissist1570 Words   |  6 Pagesand inspiration. A few of the works featured in the transcendental unit include Into the Wild by Jon Krakauer, Song of Myself by Walt Whitman, and Walden by Ralph Waldo Emerson. The primary focus of this essay is to provide an opinion on a strikingly debatable topic; Whether or not Christopher McCandless, hero of Krakauer’s Into the Wild, was a true transcendentalist. Despite the bold actions of Chris McCandless on his daring Alaskan odyssey, he turned out to be far from a true transcendentalist, failingRead MoreThe Character Traits of Chris McCandless1172 Words   |  5 PagesChristopher McCandless is seen by many individuals as an inspiration, an inspiration to not be afraid. â€Å"Chris was fearless even when he was little.†(Walt McCandless) Chris’s father made a comment about how he believed Chris was fearless, Chris was a fearless individual even was he was just a young boy, he showed how he was fearless and brave, his strong character was acknowledged as a young age by his father and his family. How many people have packed up a few of their belongings and just took aRead MoreAnalysis Of Chris Mccandless s Odyssey Into The Wild1103 Words   |  5 PagesInto the Wild follows Christopher McCandless through his last year of his life traversing the North American frontier. As a biography based on McCandless’ journals and interviews, much of the details of Chris’ jour neys are speculated. Yet, Krakauer succeeds in developing the enigma of Christopher McCandless, or as he would be immortalized in the bus on the Stampede Trail, Alexander Supertramp, in a way that tugs at the buried wanderer inside of everyone. Throughout the novel, Chris McCandless faces

Exploring The Four Ancient Civilizations- Mesopotamia,...

Before the beginning of history, people from across the land gradually developed numerous cultures, each unique in some ways while the same time having features in common. Mesopotamia, Egypt, Greece and Israel are all important to the history of the world because of religious, social, political and economic development. In the first civilization, both Mesopotamia and Egypt relied on a hunter-gatherer economic system, during that time, every country in the world strived on it. Mesopotamia had rich soil for agriculture, but experiences floods. For the Mesopotamians, these floods would destroy major cities, but for the Egyptians it would keep the soil rich all year long without the damage that the Mesopotamians had experienced.†¦show more content†¦Egyptian women could enter into contracts under their own name; they could initiate civil court cases and could, likewise, be sued; they could serve as witnesses in court cases; they could serve on juries; and they could witness lega l documents. Religion was practiced throughout Ancient Mesopotamia and Egypt. Both the Mesopotamians and Egyptians shared polytheistic beliefs. Each god was responsible for an action, but they did not consider the gods to be equal in Mesopotamian society, in order to please the gods, a sacrifice must be made to please them in order to avoid the god’s wrath. The separation of church and state did not exist in both ancient civilizations, pharaohs of Egyptian society was known to be a god on Earth, the incarnation of Horus, the falcon god. The Mesopotamian rulers were known as a representative to the gods. Although they worship to several different gods, they do have differences between the two. The idea of an afterlife, In Mesopotamia didn’t exist but for the Egyptians the idea of an afterlife was of significant importance to them, rituals were held to ensure that the body and soul would be ready for an eternal life after death. The writing systems of both the Mesop otamians and the Egyptians have many similarities. Pictographic writing, which was developed by the

Movement in Architecture Free Essays

Motion in Architecture How can the Architectural Promenade Create Experiences Which Heighten Our Connection to Construct Environment? â€Å"I see obviously how external images influence the image that I call my organic structure: they transmit motion to it.And I besides see how this organic structure influences external images: it gives back motion to them.† – Henri Bergson Contentss Contentss Glossary Introduction Motion of Body in Space Decision Making In Movement Formulation of Movement Criteria Illustrations Mentions Glossary Motion The act or procedure of traveling people or things from one topographic point or place to another. We will write a custom essay sample on Movement in Architecture or any similar topic only for you Order Now Architectural Promenade The experience of walking through a edifice. The complex web of thoughts which underpins Le Corbusier’s work, most specifically his belief in architecture as a signifier of induction. [ 1 ] Emanation An organized group or line of people or vehicles that move together easy as portion of a ceremonial. Parkour The activity or athletics of traveling quickly through an country, typically in an urban environment, negociating obstructions by running, jumping, and mounting. Introduction This paper seeks to research how, through design designers can heighten the users experience in the built environment through motion and the architectural promenade. Our organic structures are an inordinately good designed mechanism and an astoundingly complex piece of technology. It has been advanced and enhanced through development – and we are intended to travel. The environment we choose to bring forth around this chef-d’oeuvre merits the topmost imaginable degree of consideration. The manner we inhabit the reinforced environment replicates our capableness and the longing for our organic structures to travel and brood. Architecture has ever been designed with motion in head, whether it is knowing or unwilled. This thesis aims to analyze and uncover the legion ways our organic structures move within the built environment and look into how architecture and design can suit or order human motion. The focal point of my survey will be on the design of museums as this provides a great penetration into the ways worlds move and make determinations within the reinforced environment. From the public place to the bosom of the exhibition infinites, museums provide a phase for human motion within architecture. Motion of Body in Space img alt="" src="https://s3-eu-west-1.amazonaws.com/aaimagestore/essays/1338946.005.jpg"Harmonizing to Robert Yudell the interaction between the sphere of our organic structures and the sphere of our home topographic points is invariably in gesture. Whether we are cognizant or inexperienced person of this procedure, our organic structures and our motions are in eternal duologue with our edifices. The critical interaction of organic structure signifier and motion with architecture deserves our careful attending as designers. [ 2 ] img alt="" src="https://s3-eu-west-1.amazonaws.com/aaimagestore/essays/1338946.007.jpg"img alt="" src="https://s3-eu-west-1.amazonaws.com/aaimagestore/essays/1338946.006.jpg"Motion and emanation has been cardinal to the preparation of the built environment dating as far back as antediluvian Egypt, Greece and Roman architecture. In peculiar when it comes to sacred or ritual infinites. Many of the techniques designers use in modern twenty-four hours design to advance motion day of the month back to the methods used in the yesteryear. For illustration in the Temple of Khons in ancient Egypt the usage of visible radiation, threshold and fluctuation in degrees non merely defined the infinite but besides the emanation through the infinite. Architects such as Philip Johnson and Le Corbusier have studied this emanation or promenade to make more piquant architecture in modern times. Through promotion in engineerings adult male is â€Å"moving† faster and farther than of all time before, but this motion is chiefly a inactive experience unlike the piquant architecture of Le Corbusier in early modernist times. Our organic structures are being moved or propelled in infinite instead than physically traveling ourselves. In kernel we are really sing less active motion in the horizontal and perpendicular planes than of all time before. Yudell describes this as frozen and drifting organic structures. This construct differentiates between the self- motion of a organic structure or the displaced organic structure that is moved by other agencies such as a vehicle or lift. We rely on the displaced motion of our organic structures to go greater distance but one may oppugn if we are going excessively reliant on these methods and as such going brainsick or alienated from our environments as we simply pass through infinite by mechanical agencies. The Futurist Movement is an utmost illustration of this disaffection from the universe and our experience of architecture around us. One of their visions promised entire freedom of life on an space gridded platform into which we may stop up for energy, information or alimentary demands. This scenario nevertheless embodies a clear denial of the demand for the interaction of organic structure and architecture. It provides no landmarks, no stimulation, no phases, and no Centres. [ 3 ] Changes in engineering has meant that some of these futurist thoughts have been implemented at a smaller degree. Our motion within the built environment has become progressively inactive due to ordinances for handiness and in some instances for pure convenience. It is our occupation as designers to turn to this deficiency of battle and inactive motion within the built environment by making a promenade that encourages motion and geographic expedition in our milieus. Decision Making In Movement Le Corbusier’s premier motivation when designing was to aid people in the procedure of â€Å"savoir habiter† , cognizing how to populate [ 4 ] and it was his sentiment that the architectural promenade would be designed to â€Å"resensitise† people to their milieus. [ 5 ] In planing in this manner buildings become a series of experiences, get downing with the attack from the street, tract or square and pulling a individual indoors and in along a series of experiences in infinite. In a manner the designer becomes a type of choreographer, making infinites which anticipate a person’s motion. It creates a duologue non merely between people and the reinforced environment but besides amongst other people. Le Corbusier strived to make infinites where people would be prompted to utilize their memory, analysis, concluding and finally formation of an grasp of his architecture, obliging them to convey their ain experience to the edifice, making something wholly new. He endeavoured to make a model in which people could populate their ain lives and do their ain determinations whilst ordering really strongly precisely what that model should be. This paradox is what makes Le Corbusier’s work so interesting. It is one of the most confusing issues of architectural pattern ; how can an architect design infinites that encourage motion without curtailing the individuals free motion within the infinite. Le Corbusier tried ( non ever successfully ) to turn to how other people may see his edifices and to underscore the message that edifices were considered as unfinished without people and their experience within. img alt="" src="https://s3-eu-west-1.amazonaws.com/aaimagestore/essays/1338946.008.png"/ img alt="" src="https://s3-eu-west-1.amazonaws.com/aaimagestore/essays/1338946.010.jpg"img alt="" src="https://s3-eu-west-1.amazonaws.com/aaimagestore/essays/1338946.009.jpg"In a less formal scene in Mikkel Rugaard’s â€Å"Street Movement† in Denmark ( which originated as a Parkour preparation company ) has attempted to turn to the thought of planing for freedom of motion and look in the reinforced environment. Rugaard attempts to specify infinites, milieus and objects in the reinforced environment to do certain they become inspirational and invitational towards physical activity and motion without compromising the architectural vision and aesthetic value. Rugaard notes that planing for motion successfully is easy but what becomes more complex and challenging is the add-on of different people who are go throughing through these infinites and how the map of those non take parting in parkour additions the complexness of design. [ 6 ] img alt="" src="https://s3-eu-west-1.amazonaws.com/aaimagestore/essays/1338946.011.jpg"The Gugenheim Museum in New York designed by Frank Lloyd Wright in 1959 is an illustration of a edifice that is clearly designed with a really controlled motion or promenade laid out within the edifice. The raging paseo guides the visitant up through the edifice go arounding through the whole exhibition infinite. There is no determination devising in this procedure but instead the visitant is led in one way ether up or down through the exhibition infinite. It is my purpose to analyze through instance surveies how motion can be achieved in a more intuitive manner instead than the forced nature of Frank Lloyd Wright’s work in the Guggenheim in New York. In a manner the controlling nature of the promenade within the Guggenheim is differs little from the control of motion within the futurist ideals. The visitant is non being engaged with the architecture but instead is being brought in a certain controlled way. Formulation of Movement Criteria In order to analyze how motion can be controlled in a museum puting it is necessary to put up a standard by which I will analyze a figure of instance surveies. This has been chiefly determined by the work of Le Corbusier and the architectural promenade. He believed that the undertaking of designers was to react to the interior â€Å"sounding board† of the human organic structure and act upon it to originate a response in the signifier of action. [ 7 ] Analyzing the standard he used focal points on the ways in which architecture can ease this procedure and as such act as a call for motion. Believing as he did that the organic structure plays a chief portion in the soaking up of cognition Le Corbusier developed a series of techniques to incorporate this procedure. Deducing from his roof of the mouth of centripetal experiences, beat, coloring material, visible radiation and touch, he choreographed sequences of infinites that would arouse a response at the most instinctual degree. In his early work modulating lines were used to direct these distinguishable messages to the head, following this the modular adult male would lend to this project. Light and dark would add a farther degree to the stage dancing of the promenade by playing to the edifice user physiologically through the power of symbolism. I will endeavor to analyze farther how the undermentioned sensory factors play a portion in modern architecture where engineering and even the promotion of light control can play a portion in the design and stage dancing of the modern promenade. Rhythms of the Body Scale Sound Light Coloring material Centripetal Stimulation On a basic degree Le Corbusier’s promenade consists of a series of experiences in infinite utilizing texture visible radiation, memory and associations which provoke action but there is a more intricate combination of these which needs to be examined. It is how the usage of these elements together which formulates the true promenade in his edifices. Le Corbusier’s edifices can be examined from a set group of elements of his promenade but non every edifice can be examined with respect to this expression ( threshold, sensitizing anteroom, oppugning, reorientation and apogee ) therefore I have set myself the undertaking of making my ain expression or group of elements that will help my scrutiny of motion through museum infinite from past to show. It is from analyzing these standards against current theoretical accounts of museum design will help my quest to make a more piquant and geographic expedition promoting edifice to animate people to travel and interact with their milieus instead than the somewhat displaced relationship we presently have with our environment. Illustrations Page Figure Beginning 1 Cover Image Alexander Straulino – My First Lightbox 6 Figure 1 Produced By Writer 6 Figure 2 Ibid 6 Figure 3 Ibid 7 Figure 4 My Playground – Kasparworks 9 Figure 5 Ibid 9 Figure 6 Flavie A.Iteration Type A( 2009 ) Mentions Samuel F. Le Corbusier A ; the Architectural Promenade. Sheffield: Birkhauser 2010 Kent C. Bloomer, Charles W. Moore, Robert J. Yudell Body Memory A ; Architecture. New Haven and London: Yale University Press 1977 Le Corbusier. The Marseille Block. London: Harville 1953 Menin S. A ; Samuel F. Nature A ; Space: Aalto and Le Corbusier. London: Routledge 2003 The Parkour Architect, picture, Flow-The Pakour Kommunity, 7 October 2012, viewed 31 October 2014 lt ; hypertext transfer protocol: //www.youtube.com/watch? v=sLWfRzgo__4 A ; NR=1 gt ; How to cite Movement in Architecture, Essay examples

Injunction Essay Example For Students

Injunction Essay CBS Broadcasting, Inc. v. VanityMail Services, Inc. Federal Trademark Infringement- Likelihood of Consumer Confusion (Lanham Act ?43(a))a) Section 4 (a) provides that the plaintiff must prove the following: 1) that the defendants domain name is identical or confusingly similar to a trademark or service mark in which the plaintiff has rights; and 2) the defendant has no rights or legitimate interests in respect of the domain name; and 3) the domain name has been registered and is being used in bad faith. Under this section of the act, the court must first evaluate whether or not the defendants domain name is identical or confusingly similar to a trademark or service mark in which the plaintiff has rights. In evaluating the likelihood of confusion, the court may look at a variety of factors. Some of these may include: similarity of sight, sound or meaning between marks, the strength of the plaintiffs mark, the defendants intent or bad faith in adopting a similar mark, the proximity or relatedness of goods, instances of consumers actual confusion, marketing channels, the sophistication of goods, and the likelihood of expansion. The marks in question are identical in sound, meaning and spelling. The plaintiff is the registered owner of the US service mark 48 Hours and device in Class 41 for television news program services. The defendant is the registered owner of www.48Hours.com. They differ only in sight for the defendants logo is featured in differing font and color from that of Plaintiffs. The strength of Plaintiffs mark is unquestionable. They have asserted 12 years of use of the 48 hours mark. Throughout the United States they have vast notoriety as a television news program. ?The more likely a mark is to be remembered and associated in the public mind with the marks owner, the greater protection the mark is accorded by trademark laws.? (Kenner Parker Toys Inc. v. Rose Art Indus., Inc.,)In terms of the defendants intent or bad faith, they were aware of the existence of the television news show prior to the conception of their 48 Hours.com business plans. (This was declared by the admissions of the prin cipals of VanityMail to having watched the plaintiffs news program.) With this information, they proceeded to register the mark. It is unclear as to what the defendants intent was in choosing this domain name. None of their services relate to any 48-hour theme of any sort. There is no evidence of Defendants bad faith in using the name. The proximity of the goods supplied by the two parties in question are worlds apart. The plaintiff supplies broadcasting services and promotional merchandise. The defendant provides yacht services. There are no reported instances of any actual consumer confusion. The plaintiff has not suffered any known damage due to Defendants use of the mark. The two parties do share the same marketing channels. In GoTo.com, Inc., v. The Walt Disney Company, the plaintiff sought a preliminary injunction because Defendants commercially used logo on the World Wide Web was remarkably similar to Plaintiffs. The court found that, ?the Web, as a marketing channel, is particularly susceptible to a likelihood of confusion since, ?it allows for competing marks to be encountered at the same time, on the same screen.? As for sophistication, any competent computer user may be able to access a web site. The GoTo case also found that ?Navigating amongst web sites involves practically no effort whatsoever, and arguments that Web users exercise a great deal of care before clicking hyperlinks is unconvincing.?The final issue of the likelihood of expansion may be addressed by the defendants presently poster logo, which reads ?Coming Soon: A Unique Experience for Discerning Tastes.? Additionally, at the bottom of the screen, there is a notation stating ?Ple ase direct any inquiries about our upcoming service to Obviously, the defendant does have plans for expansion of some sort. b) For the above-stated reasons, the plaintiff should not be granted preliminary injunction on the basis of this claim. GoTo.com, Inc., v. The Walt Disney Company, found that use of remarkably similar trademarks on different web sites creates a likelihood of confusion amongst Web users.? Federal trademark infringement guidelines state that the plaintiff must establish all 3 requirements listed above. The plaintiff is able to prove that 1) the mark is identical and 2) that the defendant has no rights or legitimate interests in the name but fails to meet the third requirement. Though the name is registered, there is no proof that it is being used in bad faith. Thus preliminary injunction should not be granted under the Lanham Act ?43(a). .u9d0b36dc42f717d968c1285aa17550ab , .u9d0b36dc42f717d968c1285aa17550ab .postImageUrl , .u9d0b36dc42f717d968c1285aa17550ab .centered-text-area { min-height: 80px; position: relative; } .u9d0b36dc42f717d968c1285aa17550ab , .u9d0b36dc42f717d968c1285aa17550ab:hover , .u9d0b36dc42f717d968c1285aa17550ab:visited , .u9d0b36dc42f717d968c1285aa17550ab:active { border:0!important; } .u9d0b36dc42f717d968c1285aa17550ab .clearfix:after { content: ""; display: table; clear: both; } .u9d0b36dc42f717d968c1285aa17550ab { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u9d0b36dc42f717d968c1285aa17550ab:active , .u9d0b36dc42f717d968c1285aa17550ab:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u9d0b36dc42f717d968c1285aa17550ab .centered-text-area { width: 100%; position: relative ; } .u9d0b36dc42f717d968c1285aa17550ab .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u9d0b36dc42f717d968c1285aa17550ab .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u9d0b36dc42f717d968c1285aa17550ab .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u9d0b36dc42f717d968c1285aa17550ab:hover .ctaButton { background-color: #34495E!important; } .u9d0b36dc42f717d968c1285aa17550ab .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u9d0b36dc42f717d968c1285aa17550ab .u9d0b36dc42f717d968c1285aa17550ab-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u9d0b36dc42f717d968c1285aa17550ab:after { content: ""; display: block; clear: both; } READ: Dating Violence EssayFederal Trademark Dilution Act of 1995 (Lanham Act ?43 (c))a) This section of the Lanham Act differs from section 43 (a) in that it made the notion of dilution a federal-law concern. Section 43 (c) does not require competition between parties and a likelihood of confusion to present a claim for relief. The standards for measuring dilution are quite different from those of likelihood of confusion. In Panavision Intl, L.P. v. Toeppen, the question was whether the defendant violated federal or state law by intentionally registering the plaintiffs trademarks as his Internet domain names for the purpose of exacting payment from the plaintiff in exchange for the names. The court found that, ?injunctive relief is available under the Federal Trademark Dilution Act if a plaintiff can establish that 1) its mark is famous; 2) the defendant is making commercial use of the mark in commerce; 3) the defendants use began after the plaintiffs mark became famous; and 4) the defendants use presents a likelihood of dilution of the distinctive value of the mark.? b) The court must first look at whether or not Plaintiffs mark is in fact famous. The requirements of whether or not a mark is famous must meet the following criteria: 1) the degree of inherent or acquired distinctiveness of the mark; 2) the duration and extent of use of the mark in connection with the goods or services with which the ma rk is used 3) the duration and extent of advertising and publicity of the mark; 4) the geographical extent of the trading area in which the mark is used; 5) the channels of trade for the goods or service with which the mark is used; 6) the degree of recognition of the mark in the trading areas and channels of trade used by the marks owner and the person against whom the injunction is sought; 7) the nature and extent of use of the same or similar marks by third parties; and 8) whether the mark was registered? on the principal register. In Panavision Intl, L.P. v. Toeppen, the court found Panavision marks to be famous marks. Panavision owned the federal registration for the marks and it developed a strong secondary meaning because of Panavisions long period of exclusive use of the mark and its status as a major supplier of photographic equipment. In the instant case, the plaintiff has used the 48 Hours logo for over 12 years. The plaintiff owns the federal registration of the 48 Hours mark. All of the requirements for famousness are met as discussed above in section 43 (a). The defendant is using the domain name as a means of commercial use in commerce. They provide yacht charters and management services to individuals and corporations in the Caribbean area. The website contains an image of a harbor filled with boats. There is also an e-mail address provided at the bottom to direct customer inquiries to. This proves that the site is being used as an advertisement to solicit business. There are multiple banners from sponsors on the page as well. This verifies that the defendant is making money from the use of this site and therefore, the domain name. The plaintiff has used its 49 Hours marks since at least January 1988. Throughout the 12 years, the mark has gained recognition throughout the United States as a television news show. The defendant registered the domain name in May of 1997. Therefore, plaintiffs mark had already become famous. Political Issues Essays